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Empty​-​Worded Verses

by Fort Loveless

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1.
Kerosene 03:42
O, let the ghosts lie down but keep them close. And don’t let go. Keep your lantern lit and make your way home. I was a headstrong heart yet to be humbled; too young and dumb to doubt that I was too sturdy to stumble. Biting ankles, trying to wrangle the throng. Callow as hell, but not half as withdrawn. Now I’m a fair-weather flake; a toothless cattle hound. I’m a fun mistake to make when your Mr. Mystery’s out of town. A mess at my best, I’m less than I’ve ever been. What better time to begin? O, let the ghosts lie down but keep them close. And don’t let go. Keep your lantern lit and make your way home.
2.
Mamma stows a lonesome calvary underneath her bedtime gown and reads her boys a well-worn tale of two coonhounds. As Taylor dulls his claws against the rigid walls of circumstance, we learn the laws of nature and their indifference. But when the inevitable arrives again; an angel telling you where to find a respite at the dusty valley floor where you can rest forever more, we will not hesitate for a second to divorce that witch from her weapon. We are a force with which to reckon. We are a force with which to reckon. You will find your temper; stashed beneath a stone carved in its absence. And try hard to remember steps you’ve taken tracing fading footprints. You will find a reason for rising tall at dawn to lend your labor when a changing of the seasons strikes hunger in the bellies of your neighbors. And you will find an answer; a fern atop a grave dug by your brothers for a dog you lost to cancer who never got to see his boy recover. We will find that rhythm; a beat the men we used to be could march to. And we’ll learn to forgive them for losing sight of everything they valued. For we have all been tortured by the paltry bit of time we get for living, and yet failed to see the orchard for more than merely fruit we’re yearly given. So if they find a fault line between the victims and the ones deserving blame and put you on the wrong side, we’ll stand there with you when the earth begins to shake.
3.
Windmill 03:32
she said I could be her windmill and she could be my wind if the energy that I put out was less than she put in so I figured, what the hell? this is a roundabout bargain. ‘cause all I really wanted was for my three blades to spin. then time went by without a sign of wind or whistle through the pines and somehow I convinced myself that it was not her fault, but mine and everyone who needed me was so dissatisfied. they left me in the field, stared up at the sky and said, “why do you mock us, sun? we are stardust. why do you haunt us past? you’re disastrous.” she said I could be her candle and she could be my flame but I was sick and tired of her metaphors and games besides, all the girls I’d known before were just about the same I'd show a sign of weakness and they'd send me on my way. but I’d salvage just one lesson from the wreckage of the past: that I must not be worthy of the kind of love that lasts. and I’d settle once again to be a mill without the wind but this time it will be different, I know my blades will spin either clockwise or counter and I’ll know that I’ve found her and if she deserts me then she doesn’t deserve to be happy.
4.
Girl, you know I’m living like the things I don’t believe in leave my heart encumbered and my days are numbered. And yeah, part of me knows that it’s not true, but that same part knows it’s not you who’s gonna save me from the grave I’m clearly craving. ‘Cause I gave up on us when I gave up on me, quit strumming chords and went to school to hone my blasphemy. Then I found that ideas on paper tend not to do much more than stay there. Ooooh! So go ahead and chalk up every sign I’ve lost my mind to cosmic contemplation or a lack of inspiration. But don’t be caught off-guard, don’t let a scrape become a scar when I take all your lipstick and start running with the circus. Of course I’d love to stick around and listen to you cry. But it’s time to trade a dead art form for one that’s not yet quite done dying. So girl, you’d better save that heart of gold. I never know the hand I’m dealt until I choose to fold. Ooooh!
5.
the walls of sunflower stems are calling for winter to end and I sit alone with my ear to the phone and pretend you don’t see all the holes you could poke in my lofty design you don’t need me to talk till I choke on words I can’t find baby you’ve got the touch and every stroke of your brush blooms like the cherries beneath which I buried my crutch so tie both my ankles to stone with the thickest of threads ‘cause I’m staying a while with you outside of my head
6.
Keep on reveling in reverie ‘til you can't recall where its boundaries are, darling. You keep on floating around in fantasies ‘til the day is through and I’m afraid it ain’t good for you darling. ‘Cause all that wishing for the riches you daily envision— it won’t do a thing on its own to fill those hands you’ve cupped and outstretched like your old man’s religion. It won’t bring your wishes to fruition. Keep on rifling through rivalries with the best of men as if that makes you one of them, darling. And as for fuckin’ around in fantasies ‘till the day is through, I should say the same for you, darling. To fly the good flight is a pipe dream you’ve sorely mistaken for foresight and you’ve been returned to the ground to craft and cradle an ambition to filter a fact from a fable— a skill you take pills to enable. And all this wishing for the day you betray your depraved dispositions— it won’t do a goddamn thing on its own to silence the sirens and nurture some less hedonistic volitions. It won’t bring your wishes to fruition.
7.
The forest and the feral children. Cold of snow they’ll never know. A dormant, dreaming algorithm. Places nature never goes. A hymn of empty-worded verses sung to some invisible bringer of all gifts and curses, maker of our bellies full with nuts and brightly colored berries, a silent answer to our prayers Night will bring once more the fairies darting homeward through the air Over trees of leaf and needle. Past a dusty valley grave. Beneath the sunlight we are cousins. Beneath the moon we are the same untamed dizzy spiral toward the lantern and its phantom starlight. aerial insects led by antiquated instincts toward oblivion.
8.
Providence 04:21
Costumed and cross-faded, you walk alone again without a battle hymn. Sore knees bear the weight of a prayer your mother sings for providence to bring the strong and steady hand of someone undaunted by the darker side of man. Silent on the citadel you sat still among the barking of their tongues while deep inside an innocent heart they forged a fear; a whisper in your ear. The sun don’t rise or fall. This wicked world was not designed with you in mind at all. But soft light, it casts your shadow long. And somewhere you’ve heard it all before.
9.
Morning brings a verse rehearsed and settles it upon my lips, ‘every shadow cast is an eclipse.’ Evening sun – a conflagration – vitiating all desire for another sent to tend the fire. Yellow moon, you’ll find me slightly shaken at the memory of one who held me tightly; might she still? As if to let me know she’d never dream of letting go? As that illusion fades, her innocence is all I take. So please forget my callous heart ignored your claw marks on the door and your paw so full of splinters And please forgive my leaving you forlorn; I knew I couldn’t keep you warm through winter ‘cause fair and square I won the body of the man you’d chosen and now the blood that frolicked through his veins is damn near frozen. Attenuated memory is a bee sting beneath a comfrey poultice. A photograph in sepia of the foxglove blooms in the springtime, two little wings suspending a hummingbird.

about

Recorded by Britton Nash and Rob Hammond at The Killing Floor Studio, Olympia, WA.

Mixed by Rob Hammond.

Mastered by Garret Haines at Treelady Studios, Pittsburgh, PA.

credits

released October 6, 2015

Alex Rivera - Vocals, Guitar
Andrew Rivera - Vocals, Guitar
Kevin Rivera - Vocals, Guitar, Banjo, Slide, Keys, Aux.
Robby Thompson - Drums, Percussion
Britton Nash - Bass

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Fort Loveless Seattle, Washington

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